Which way is down?

Which Way Is Down?

I’ve always been a bit clumsy. From bumping into walls to drawing surprised glances when I dance in public, I have always felt challenged by my lack of physical grace.

But even so, I’ve always believed I knew which way was down. It’s just right there; look at the floor. Toward the center of the earth. Gravity is pulling me there all the time. Easy, right?

Well, on this fresh new journey into the world of Aikido, I’m beginning to realize that locating “down” may be simple, but it’s not always easy. Not for me, anyway.

Don’t get me wrong: when I am serving as Uke, my sempai clearly show me where “down” is. I am led down again and again, so it would seem that my intellect would understand instantly.

And yet over the past inaugural year’s training, countless times I have been under the impression that I was leading my uke “down,” only to be shown that I was actually leading them in any number of other directions. Currently, in the process of learning katate tori ikkyo hantai tenkan, a technique requiring Nage to lead Uke around and down simultaneously in a corkscrew-like path, I am surprised how easily I forget where “down” is. I lead Uke toward this wall, that wall… across the room… or even at some cockeyed angle approaching the ceiling. But not down.

The challenge I’m facing, I believe, is my habitual tendency to run all teachings up into my head and through my intellect before committing to movement.

I am graciously reminded by my sempai that the body often knows how to do a technique, but the intellect wants to “check it out and make sure it’s correct” before allowing the body to move. The result: confusion, leading to breaks in flow and continuity. Or, more recently, leading me to stare at my own hand as if I had never seen it before. A few of us shared a good laugh over that one.

All of this became clearer to me the other day as I was participating in our dojo’s Kids Class. A new boy about 5 or 6 years old attended for the very first time with a big smile on his face, occasionally glancing back at his father for reassurance. I asked the kiddo to roll over backwards, and he immediately did a very impressive back roll without even thinking about it.

I offered what I thought would be helpful corrections, pointing out that whichever knee is up shows us which shoulder we roll back over.

After my feedback, the poor kid could no longer do a backward roll. In fact, all I had truly done was brought the boy’s awareness up into his head where his intellect tried to “make it perfect,” resulting in a partial back roll turning mid-way into a front roll/barrel roll flop.

Turns out this is all good news, because it’s leading me toward some key questions:

In this moment, how aware of my body’s position in space am I? Where are my arms? Where are my legs? Where are my hands and feet? In which direction(s) are they moving?

And, in the bigger picture: What intention am I setting today? How am I feeling? How will I respond to perceived challenges, conflict, and friction?

As I come back to the present moment, time and again throughout the day, perhaps the best question I can ask myself truly is, “which way is down?”

A Choice in the Matter

I could have gone blind the light was so bright. It blazed so abruptly. I didn’t have time to take cover and shield my eyes.

This luminous assault happened a few nights ago in class as we picked apart kata toris, shoulder grabs. Sensei Mark demonstrated some of the atemis, or strikes, available to the person executing the throw (nage). He then showed how these strikes invited realignment between the two bodies involved in the technique; that is, a chance for nage to recalibrate and make sure she is connected to the person being thrown (uke).

Atemis can be infinite, coming from all directions, but they ultimately lead nage to uke’s center. “Centre” by Piyushgiri Revagar

Indeed, Sensei revealed an almost infinite number of strike options. Essentially, from the moment uke attacks, reaching for nage’s gi at the shoulder, nage can instantly atemi or strike towards uke’s face. Elsewhere in the technique, nage can strike for uke’s chest, ribcage, gut—wherever.

However, instead of striking, nage directs that same energetic intent squarely on (even through) uke’s center which creates a more robust and unified connection. Two bodies effectively mesh into one and move together harmoniously to resolve the attack.

At this point, Sensei casually paraphrased Saotome Sensei (via George Ledyard Sensei): aikido’s techniques arise from the strike or strikes one chooses not to apply.

Ka-chink! The blinding light bulb clicked on in my head and I was squinny as a mole.

Of course the principle resonates with the unconventional, counter instinctual philosophy of universal love and harmony at the crux of aikido’s discipline. Rather than participating in a fist-fight, the aikidoka initiates a dance. The strike is there not as a fist to the face, but rather as a ghostly, ephemeral, energetic incarnation.

But what really waylaid me was the notion of choice.

When confronted with retaliation, aikidoka train to choose peace. “Aikido” by Javier Montano

Time and again, our practice partners confront us with an attack, some violent intent, and time and again we choose—or try to choose—a skillful, peaceful response. I say “try” because the ape-and-lizard impulses are so ingrained, so ready to disrupt the flowing connection with push-meets-shove or danger-get-the-eff-outta-here reactions. Rather than succumb to these instinctual habits without thinking, we train so that kindness in nonviolence becomes the go-to response.

But there were even more startling choices embedded in Saotome’s tenet. Those of us on the mat had to, at one point, choose to practice aikido in the first place. The realization was so bald, so obvious, and yet so sobering and stark. One day, almost a decade ago, I chose aikido. I had seen it before lots of times (oh, look what a lovely dancing way to do fast tai chi…), but I had other after-work pursuits and activities. Until one day, I chose beyond my normal habit. I chose to practice aikido. I have since realized that this one choice completely altered my life and how I live it.

I could, as I’d always done, strike out against obstacles and shove them aside; I could lash out at others to protect myself; or, I could recalibrate—realign myself with compassion. The choice was all mine.

Moving Around My Own Center

Mark Sensei commonly reminds us to move around our own center, regardless of what uke may be doing or not doing.

After spending my entire life reacting to the behaviors of others (a survival strategy that served me well as a child, but no longer serves me as an adult), this wisdom sounds very counter-intuitive. And, like everything else Mark Sensei demonstrates, it works.

When uke grabs my wrist and I turn tenkan, I understand intellectually that the best thing I can do is simply to turn around my own center. And yet, time after time, the habitual responses that have been grooved into my nervous system over decades take over. And I find myself staring intently at uke’s hand grabbing my wrist, struggling as muscles are engaged.

In that moment, Mark Sensei might say that my attention — and therefore my mind — is on the contact point between uke’s grab and my wrist. And he would likely say that’s okay, and encourage me to simply acknowledge what is taking place and move mind back to my own center.

Where else in my life might I benefit from moving from my own center?

“Fire Dancers – 17” by Travis Nep Smith

Instead of worrying what people think of me and trying to change myself to fit into various circumstances, what if I simply lived my truth, with respect for myself and respect for others?

Instead of focusing on the past and giving energy to recreating arguments in my head, or conjuring up memories of who has wronged me and how, what if I simply focused on what brings joy and satisfaction in my own life, regardless of where those other people are today?

Where else in my daily life can I trust enough to listen carefully to inner wisdom and move around my own center?

Tim has been training in aikido since 2016 and is currently ranked 5th kyu.