Throw It All Away

A koan is an insoluble puzzle that gives deeper and deeper insights but is never resolved.

Koan #4 byAlex Pishtar

 

Recently Mark Sensei slipped us a dual koan to ponder:
Uke is irrelevant/Throw it all away

 

 

Uke is irrelevant” originated from a video produced by Warren W., 6th dan, from New York Shin Budo Kai.

After Mark Sensei’s koan challenge, the emails flew concerning the irrelevancy of the uke. A great deal of insight, poetry, and even a Monty Python video came down the email thread. I was impressed with the wisdom, cleverness, and humor of my dojo mates.

The comments followed two contrasting, even contradictory, interpretations of the phrase “uke is irrelevant,” along the lines of:

1) If your aikido is done well, it doesn’t matter what your attacker does, so uke is irrelevant.
2) The core of aikido is blending and becoming one with your attacker, so uke is extremely relevant.

A perfect koan.

I chose to stay out of the irrelevancy fray and take “Throw it all away” as the object for meditation.

“Throw it all away” comes from the second principle of four formulated by Koichi Tohei Sensei, usually translated into English as “Relax completely.” What he said in Japanese is “Zenshin no chikara o kanzen ni nuku”

Zenshin – whole self
Chikara – power
Kanzen ni nuku – throw it all away

Roughly translated, this means to take the power of everything that you are and have ever been, physically, mentally, and spiritually, and throw it all away.

(Tohei’s rule condensed into “Relax completely” may have lost a little in translation).

But what does this actually mean? How are you supposed to “throw it all away?”

I contend that “throwing it all away” is not something to begin with, but a state to experience once you are down the road a little way in your journey.
In other words, you can’t throw it all away until you have an “it” to let go of.

In Austin, I practiced aikido with a sax player who called himself a “jazz Nazi”. One night after class, he invited me to come hear his band, which was playing at a local hipster coffee shop. “We play free jazz,” he informed me.

I love many kinds of music, from Beethoven’s symphonies to Bob Dylan’s surreal poetic diatribes. (I do draw the line at polkas, however). I have listened to a bit of free jazz, but I must confess it’s not my favorite form of music.

Lastplak Jazz Band byPeter Vilierius

After class, I headed over to the coffee shop where I was greeted with an outrageous cacophony of sound. As I listened, I was somewhat perplexed. This was different from the free jazz I had heard before. Slowly it dawned on me that “throwing it all away”–throwing away the rules of melody and harmony and rhythm—means one thing when you just do it out of ignorance, and something totally different after you’ve spent years studying music theory, playing scales, learning chord progressions…

You can just “move freely” and dance like a Deadhead, or you can spend years studying the subtleties of dance and then “throw it all away” and move spontaneously. The results are quite different.

I’ve encountered students in aikido who just want to “flow with the ki” and resist learning the finer points of each technique. For me, the constant refinement of technique is the door into moving freely. Only after you have subliminally learned, after hours and hours of practice, the subtle way that ki moves, are you ready to throw it all away and move freely.

Discipline is freedom. Another koan.

 

Featured image Dance by Mark Strozier

Exploring the Principles: Relax Completely Part 2

I’ve been thinking more about the principle of relaxing completely.  It is inextricable from the other key principles, but it is one of the easiest to notice when I violate it. Oops, my shoulder popped up. Wow, I feel my bicep flexing. Dang, my hips are stiff and I can’t turn at all.

But what I’ve observed the past few weeks is the tension before uke even moves. “Get out of the way!” “This is going to hurt if you don’t block it!” “He’s stronger than you!”  That little voice re-framed my understanding of the principle and my exploration.
Relax the Mind Completely.
That’s the real pickle in training. So what are the characteristics of a relaxed mind? First, here are lists of my observations of slack and tense mind in myself.
SLACK MIND – disengage
– Nage: I can’t do this
– Nage: This is too hard
– Nage: He won’t really hit me
– Nage: I don’t need to know this yet
– Nage/Uke: Pull back, get away.
– Nage/Uke: Whatever, I don’t like this technique
– Nage/Uke: What’s that shiny thing over there?
TENSE MIND – resist
– Nage: I can’t do this
– Nage: This is too hard
– Nage: I’ll mess you up, puny weakling
– Nage: This is going to hurt
– Uke: I’m so grounded he can’t throw me.
My experience is that having mind in the wrong attitude makes me myopic on the attack or expected outcome. It locks me into one moment and puts too much consequence (or not enough) on the outcome. But we are training the mind as well as the body. We practice aikido so that our bodies and minds react well in conflict. I remind myself that during practice I am not getting jumped by thugs. I’m training to prepare for that sort of thing, but it isn’t happening from the men and women wearing gis. The list of relaxed mind’s attributes below are my current understanding after three years of practice.
RELAXED MIND – receptive
– I can do this.
– This isn’t too hard to learn.
– Here I am.
– Let’s see where this goes, together.
– I understand better now and am still learning.
There’s another quality that is hard to describe. When I’m centered and ready and unafraid, sometimes it is like there is no attack. Or the attack is inconsequential. If aikido is the way of harmonizing energy, when mind is relaxed, attack and response are all one blended note. It is a thing of beauty that I didn’t cause, but participated in.
For me relaxation depends largely on confidence. If I’m not confident that I can respond well to a punch to the gut, I’ll tense up. Then I won’t respond well. But instructors and senior students help by giving attacks at my level. And I help myself by telling myself, “Sure it’s new, but I can do this.” Pretend I’m confident and someday I might be. But if my attitude is “I can’t do this” I might as well be hitting myself.
I think the first uke is always the mind. On the days I can take the negative thoughts and set them aside and have an attitude of “Here I am, I can do this,” those are the days I learn. When I’m at work and something goes wrong and someone starts accusing, if I can take the attitude “Here I am. Let’s see where this goes, together,” then my ego disengages and we can focus on the end result we need to reach.
Those little harmonies, on and off the mat, are worth the hard training. I’m getting better at taking a breath and relaxing the mind. Better, and still improving.

Exploring the Principles: Relax Completely

Martial arts require practicing new ways of moving, thinking, and interacting with others. Aikido relies on several key principles that take time and exploration to understand. The more deeply I explore the art, the more a bottomless well of vocabulary roils beneath, enough to drown in if I take it all on at once.
When I first started aikido someone suggested choosing one of the four key principles and practicing it for a month or two until I had some feel for it. Then move to the next principle. I’ve followed that advice, so in any class I am working on what sensei is teaching and trying to apply an internal principle as well.
Recently I have been practicing what it means to “Relax Completely.”

Art by Nate B. Copyrighted 2017.

When uke grabs, can I relax my wrist, then elbow, then shoulder, then stand with my spine relaxed and straight? Can I do all of that before contact?
What has really transformed daily life is what happens from the one-point down. Are my hips and pelvic muscles relaxed? Can I settle my weight down into the floor without tensing my hips, without twisting my knees out of alignment with my feet?
I noticed a lot of internal tension in my hips and legs. I started focusing on that in practice, cooking in the kitchen, standing to stretch. It started to make it easier to stand up straight.
I’ve always enjoyed running but for the past few years have been hindered by old injuries. I decided to start up again and run only as long as I could keep my lower body relaxed. If my posture started to cave in or my stride hobbled in any way, I would stop. If my old injuries flared up–as they have so many times–I would stop and preserve my joints.
In three months, my old complaints haven’t acted up, I’ve had no injuries, and I’m running twice as far as I ever have and slowly adding to the distance. And it doesn’t hurt. Sure, it takes a lot of effort and sometimes my cardio rises to high and I have to slow down. Sure, sometimes I bite off a bigger climb than my legs can handle and I have to dial it back. But I can tell the difference now between discomfort from asking my body to push and the pain of demanding too much.
Applying aikido principles creates a feedback loop. When I put my focus on listening to the cues from my body (Are you relaxed? Feeling good? Want to keep going?) I find running to be much more joyful. Instead of demanding from my body (Three miles at this pace, I don’t care if you’re sore. I’m Mind and you’ll do what I say, Body!), I relax and listen. I haven’t been injured because the goal is not to achieve, but to participate.
Now on the mat, I work to let go of achievement. I try to listen and participate.